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Forests, as physical entities, have received considerable scholarly attention in political studies of Asia and beyond. Much less notice has been paid to the significance of forests as symbols that enable commentary on identity, aspirations, and authority. Natural Potency and Political Power, an innovative exploration of the social and political importance of forests in contemporary Laos, challenges common views of the rural countryside as isolated and disconnected from national social debates and politics under an authoritarian regime. It offers instead a novel understanding of local perspectives under authoritarianism, demonstrating that Lao people make implicit political statements in their commentary on forests and wildlife; and showing that, in addition to being vital material resources, forests (and their natural potency) are linked in the minds of many Lao to the social and political power of the state. Sarinda Singh explores the intertwining of symbolic and material concerns in local debates over conservation and development, the popularity of wildlife consumption, the particular importance of elephants, and forest loss and mismanagement. In doing so, she draws on ethnographic fieldwork around Vientiane, the capital, and Nakai, site of the contentious Nam Theun 2 hydropower project—places that are broadly reflective of the divide between urban prosperity and rural poverty. Nam Theun 2, supported by the World Bank, highlights the local, regional, and global dynamics that influence discussions of forest resources in Laos. Government officials, rural villagers, and foreign consultants all contribute to competing ideas about forests and wildlife. Singh advances research on forest politics by rethinking how ideas about nature influence social life. Her work refutes the tendency to see modern social life as independent of historical influences, and her attention to viewpoints both inside and outside the state prompts an understanding of authoritarian regimes as not only sources of repression, but also sites of negotiation, engagement, and debate about the legitimacy of social inequalities.

The Pasoh Forest Reserve (pasoh FR) has been a leading center for international field research in the Asian tropical forest since the 1970s, when a joint research project was carried out by Japanese, British and Malaysian research teams with the cooperation of the University of Malaya (UM) and the Forest Research Institute (FRI, now the Forest Research Institute Malaysia, FRIM) under the International Biological Program (IBP). The main objective of the project was to provide basic information on the primary productivity ofthe tropical rain forest, which was thought to be the most productive of the world's ecosystems. After the IBP project, a collaborative program between the University of Malaya and the University of Aberdeen, Scotland, UK, for post-graduate training was carried out at Pasoh. Reproductive biology of so me dipterocarp trees featured in many of the findings arrived at through the program, contributing greatly to progress in the population genetics of rain forest trees. Since those research pro grams, apart of the Pasoh forest and its field research station have been managed by FRIM. In 1984, FRIM started a long-term ecological research program in Pasoh FR with the Smithsonian Tropical Research Institute (STRI) and Harvard University, establishing a 50-ha plot and enumerating and mapping all trees 1 cm or more in diameter at breast height. A recensus has been conducted every 5 years.

Picturing Islam: Art and Ethics in a Muslim Lifeworld explores issues of religion, nationalism, ethnicity, and globalization through the life and work of the prominent contemporary Indonesian artist Abdul Djalil Pirous. Presents a unique addition to the anthropology of art and religion Demonstrates the impact of Islam, ethnicity, nationalism, and globalization on the work and life of an internationally recognized postcolonial artist Weaves together visual and narrative materials to tell an engrossing story of a cosmopolitan Muslim artist Looks at contemporary Islamic art and the way it has been produced in the world's largest Muslim nation, Indonesia

The Manggarai people of eastern Indonesia believe their land can talk, that its appetite demands sacrificial ritual, and that its energy can kill as well as nurture. They tell their children to avoid certain streams and fields and view unusual environmental events as omens of misfortune. Yet, far from being preoccupied with the dangers of this animate landscape, Manggarai people strive to make places and pathways “lively,” re-traveling routes between houses and villages and highlighting the advantages of mobility. Through everyday and ritual activities that emphasize “liveliness,” the land gains a further potency: the power to evoke memories of birth, death, and marriage, to influence human health and fertility.Potent Landscapes is an ethnographic investigation of the power of the landscape and the implications of that power for human needs, behavior, and emotions. Based on two years of fieldwork in rural Flores, the book situates Manggarai place-making and mobility within the larger contexts of diverse human-environment interactions as well as adat revival in postcolonial Indonesia. Although it focuses on social life in one region of eastern Indonesia, the work engages with broader theoretical discussions of landscape, travel, materiality, cultural politics, kinship, and animism.Written in a clear and accessible style, Potent Landscapes will appeal to students and specialists of Southeast Asia as well as to those interested in the comparative anthropological study of place and environment. The analysis moves out from rooms and houses in a series of concentric circles, outlining at each successive point the broader implications of Manggarai place- and path-making. This gradual expansion of scale allows the work to build a subtle, cumulative picture of the potent landscapes within which Manggarai people raise families, forge alliances, plant crops, build houses, and engage with local state actors. Landscapes are significant, the author argues, not only as sacred or mythic realms, or as contexts for the imposition of colonial space; they are also significant as vernacular contexts shaped by daily practices. The book analyzes the power of a collective landscape shaped both by the Indonesian state's development policies and by responses to religious change.20 illus.

This book analyzes the importance for Asia of rebalancing its growth model toward domestic demand, and what such a rebalancing would entail. The nature of the challenge differs across regional economies, as some, like China, need to raise private consumption while others, like the ASEAN economies, need to raise investment. Given that China accounts for such a large part of the Asian economy, and that its story is such a central focus in the global policy debate, the book discusses various aspects of the rebalancing challenge in China.

This ambitious work provides a comprehensive, empirically grounded study of the production, circulation, and reception of Japanese popular culture in Asia. While many studies typically employ an interactive approach that focuses on the “meaning” of popular culture from an anthropological or cultural studies point of view, Regionalizing Culture emphasizes that the consumption side and contextual meaning of popular culture are not the only salient factors in accounting for the proliferation of popular cultural products—the production side and organizational aspects are also important. In addition to presenting individual case studies, the book offers a big-picture view of the dramatic changes that have taken place in popular culture production and circulation in Asia over the past two decades.The author has gleaned information from primary sources in Japanese, English, and other languages; research visits to Japan, Hong Kong, Singapore, Shanghai, Bangkok, and Seoul; as well as insights of people with firsthand knowledge from within the cultural industries. From this broad range of source, he develops an integrative political economic approach to popular culture. Regionalizing Culture offers a dialectical look at the organization of cultural production, primarily at the structure and control of cultural industries, interconnections between companies and production networks, and relations between the business sector and the state. It traces the rise of Japan as a popular culture powerhouse and the expansion of its cultural industries into Asian markets. It looks as well at the creation of markets for Japanese cultural commodities since the late 1980s, the industrial and normative impact that Japanese cultural industries have on the structure of the local cultural industries, and the wider implications these processes have for the Asian region.The growing popularity and importance of Japan's popular culture will make this book a basic text for scholars and students of popular culture as well as for those interested in political economy, media and communication studies, Japanese-Asian relations, Asian studies, and international relations.Nissim Kadosh Otmazgin is lecturer in the Department of East Asian Studies, The Hebrew University of Jerusalem, and research fellow at the Harry S. Truman Research Institute for the Advancement of Peace.

Based on three decades of fieldwork throughout the developing world, Scars of Partition is the first book to systematically evaluate the long-term implications of French and British styles of colonialism and decolonization for ordinary people throughout the so-called Third World. It pays particular attention to the contemporary legacies of artificial boundaries superimposed by Britain and France that continue to divide indigenous peoples into separate postcolonial states. In so doing, it uniquely illustrates how the distinctive stamps of France and Britain continue to mark daily life along and behind these inherited borders in Africa, Asia, Oceania, and the Caribbean. Scars of Partition draws on political science, anthropology, history, and geography to examine six cases of indigenous, indentured, and enslaved peoples partitioned by colonialism in West Africa, West Indies, South Pacific, Southeast Asia, South India, and the Indian Ocean. William F. S. Miles demonstrates that sovereign nations throughout the developing world, despite basic differences in culture, geography, and politics, still bear the underlying imprint of their colonial pasts. Disentangling and appreciating these embedded colonial legacies is critical to achieving full decolonization—particularly in their borderlands.

In Indonesia, light skin color has been desirable throughout recorded history. Seeing Beauty, Sensing Race explores Indonesia's changing beauty ideals and traces them to a number of influences: first to ninth-century India and some of the oldest surviving Indonesian literary works; then, a thousand years later, to the impact of Dutch colonialism and the wartime occupation of Japan; and finally, in the post-colonial period, to the popularity of American culture. The book shows how the transnational circulation of people, images, and ideas have shaped and shifted discourses and hierarchies of race, gender, skin color, and beauty in Indonesia. The author employs “affect” theories and feminist cultural studies as a lens through which to analyze a vast range of materials, including the Old Javanese epic poem Ramayana, archival materials, magazine advertisements, commercial products, and numerous interviews with Indonesian women.The book offers a rich repertoire of analytical and theoretical tools that allow readers to rethink issues of race and gender in a global context and understand how feelings and emotions--Western constructs as well as Indian, Javanese, and Indonesian notions such as rasa and malu—contribute to and are constitutive of transnational and gendered processes of racialization. Saraswati argues that it is how emotions come to be attached to certain objects and how they circulate that shape the “emotionscape” of white beauty in Indonesia. Her ground-breaking work is a nuanced theoretical exploration of the ways in which representations of beauty and the emotions they embody travel geographically and help shape attitudes and beliefs toward race and gender in a transnational world.

This book pursues a multidisciplinary approach in order to evaluate the socio-ecological dimensions of infectious diseases in Southeast Asia. It includes 18 chapters written by respected researchers in the fields of history, sociology, ecology, epidemiology, veterinary sciences, medicine and the environmental sciences on six major topics: (1) Infectious diseases and societies, (2) Health, infectious diseases and socio-ecosystems; (3) Global changes, land use changes and vector-borne diseases; (4) Monitoring and data acquisition; (5) Managing health risks; and (6) Developing strategies. The book offers a valuable guide for students and researchers in the fields of development and environmental studies, animal and human health (veterinarians, physicians), ecology and conservation biology, especially those with a focus on Southeast Asia.

This book introduces the ten nation region of Southeast Asia: The main themes of the book are diversity, differential development and changing socio-economic and political setting affecting these characteristics in the 1990s. The nations of Southeast Asia have different languages, three dominant religions - Buddhism, Islam and Christianity, varied levels of economic development that range from bare agricultural subsistence to highly urbanized and highly developed. The historically based core areas of these countries have evolved on their own. Moreover, the effects of Indian, Chinese, Islamic, and Western cultures have been experienced differently in different nations at different times in their histories. This book is intended to be understood by all those who want an initial introduction to Southeast Asia. As many aspects of the book are the result of an in-depth research, carried out by the contributing authors, it is also a valuable reference. The contributing authors have portrayed the basic spatial aspects of the region as well as their relevance in the 1990s based in novel ways and through original interpretations. All fIrst and some second authors of chapters are professors. All but one have Ph. Os. Most contributing authors are geographers but with different sub-specialties: P. P.